No, but way before that, I've been doing little dances in movies for years. Yeah, that was an amazing chance. You know, at my age to be able to do a music dance video, very unusual.
I think early on I knew what I was going to do and it was based a lot on familiarity but it was also because I didn't have a lot of skills. There was nothing I wanted t be. I didn't want to be a doctor. I wanted to be in show business.
I think that if I had grown up and had been in show business and the movies twenty five, thirty years earlier, I think I would have made a lot more musical movies.
I think the fact that I was raised in show business, in New York City, in the '50s, that's affected my personality to the point that I'm a little different.
Well, I was sort of a jack-of-all-trades in show business for a long time. I was a singer and a dancer and then I got a job as an actor.
I've made movies that I thought were good. I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, I wish more people saw that - because you're good. And it just works out that the movie gets lost. But that's show business.
Laurence Olivier said in an interview once that when he plays a tragedy he always aims for the funny parts, and the other way around. Because in a comedy you look for what's serious. I think that's true. Sometimes things are really funny if you're absolutely earnest. If you're really serious, it's hilarious.
I never know when I am being funny, and the other way too. I don't think you can think about that. I don't think you can try to be funny. Some people are just funny.
I remember that. I was talking to him and I said how great it would be if actors had a tail because I have animals and a tail is so expressive. On a cat you can tell everything. You can tell if they're annoyed. You can tell whether they're scared.
The best thing for me is, when I'm not working, is to be at home and to have a script or two scripts is better, and to be just walking around the house and just thinking about the lines.
No, but way before that, I've been doing little dances in movies for years. Yeah, that was an amazing chance. You know, at my age to be able to do a music dance video, very unusual.
I've made movies that we're very successful that we're a complete surprise, and I've made movies that I thought we're going to be very successful that, you know.
I think that if I had grown up and had been in show business and the movies twenty five, thirty years earlier, I think I would have made a lot more musical movies.
I've made three musical movies which is pretty good considering that not many are made but I was lucky in other ways. I came along when independent movies were starting to boom.
When videotape came so a lot of movies that I do have a kind of afterlife in video. Things where movies that I do would come and go they still come and go but you can go rent them and see them on TV.
I think if you do something effectively whether you're the lover or the comic or the action guy or the villain like I play movies are very expensive to make. Chances are you'll get asked to play that part again.
I make movies that nobody will see. I've made movies that even I have never seen.
I used to be prettier than I am, but I think I look better now. I was a pretty boy. Particularly in my early movies. I don't like looking at them so much. There's a sort of pretty thing about me.
I've made movies that I thought were good. I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, I wish more people saw that - because you're good. And it just works out that the movie gets lost. But that's show business.