I steal from every single movie ever made. I love it – if my work has anything it’s that I’m taking this from this and that from that and mixing them together. If people don’t like that, then tough titty, don’t go and see it, alright? I steal from everything. Great artists steal; they don’t do homages.
I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema.
It's very important that every movie I do makes money because I want the people that had the faith in me to get their money back.
Novelists have always had complete freedom to pretty much tell their story any way they saw fit. And that's what I'm trying to do.
I've always thought my soundtracks do pretty good, because they're basically professional equivalents of a mix tape I'd make for you at home.
My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.
My mom took me to see Carnal Knowledge and The Wild Bunch and all these kind of movies when I was a kid.
It's very important that every movie I do makes money because I want the people that had the faith in me to get their money back.
I always do an all-night horror marathon on Saturdays where we start at seven and go until five in the morning.