In my experience, if you have to keep the lavatory door shut by extending your left leg, it's modern architecture.
I love a lot of things, and I'm pretty much obsessive about most things I do, whether it be gardening, or architecture, or music. I'd be an obsessive hairdresser.
Doctrines provide an architecture for both Republican and Democrat presidents to carry out policies.
That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings.
Information and inspiration are everywhere... history, art, architecture, everything an illustrator needs. Europe is, after all, the land that has generated most of the enduring myths and legends of Western culture.
Once I got out of architecture school I decided not to be an architect, I just started my own little design studio.
I went to school for engineering, I studied jazz. So I always had this kind of creative side and technical side, and I thought architecture might be the way to combine them, so I went to architecture school in New York.
The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide, which implied that the only pleasure you can get from Folly architecture is by calling the architect mad, and by laughing at the architecture.
I was a student at Columbia College, actually, in the Architecture school. Paul would drive in from Queens, showing me these new songs. I can't remember us working it out.
After about the first Millennium, Italy was the cradle of Romanesque architecture, which spread throughout Europe, much of it extending the structural daring with minimal visual elaboration.
After World War II great strides were made in modern Japanese architecture, not only in advanced technology, allowing earthquake resistant tall buildings, but expressing and infusing characteristics of traditional Japanese architecture in modern buildings.
The job of buildings is to improve human relations: architecture must ease them, not make them worse.
But I feel truly wowed by the architecture and the meaning of the architecture if you get lost in it and think about the man hours in the smallest little chapel, and the love involved. God it's fantastic.
There was an age, however, when the transition from savagery to civilization, with all its impressive outward manifestations in art and architecture, took place for the first time.
I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.
I was going to be an architect. I graduated with a degree in architecture and I had a scholarship to go back to Princeton and get my Masters in architecture. I'd done theatricals in college, but I'd done them because it was fun.
But after the time there I'd had it with fashion again, so I left to go to architecture school in a summer course at Harvard, which didn't last very long.
Architecture can't fully represent the chaos and turmoil that are part of the human personality, but you need to put some of that turmoil into the architecture, or it isn't real.
I would like to attend college in the future when I have time. I have always been interested in architecture, so perhaps I would pursue a degree in that or business.
You look at the steamboat, the railroad, the car, the airplane - not all of these were invented in the Anglo-American world, but they were popularized and extended by it. They were made possible by the financial architecture, the capital intensive operations invented and developed by the Anglo-Americans.
What's fascinating about D.C., the exteriors are these elaborate structures, this gorgeous architecture and beautiful stonework, and then you go inside and it's crap-looking - apart from the White House, which is beautiful.
I acquired an admiration for Japanese culture, art, and architecture, and learned of the existence of the game of GO, which I still play.
I would've been intrigued by being a film director. I would've been intrigued by politics. I thought about architecture.
There is a lot of interest in the arts, music, theatre, filmmaking, engineering, architecture and software design. I think we have now transitioned the modern-day version of the entrepreneur into the creative economy.
I like things that are kind of eclectic, when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance, where the ancient bangs up against the contemporary. It has a touch of everything. That's my style, and that's what my work is about.
I feel however, that we architects have a special duty and mission... (to contribute) to the socio-cultural development of architecture and urban planning.
There is a powerful need for symbolism, and that means the architecture must have something that appeals to the human heart. There is a powerful need for symbolism, and that means the architecture must have something that appeals to the human heart.
Technological considerations are of great importance to architecture and cities in the informational society.
Opera, next to Gothic architecture, is one of the strangest inventions of Western man. It could not have been foreseen by any logical process.
I see architecture not as Gropius did, as a moral venture, as truth, but as invention, in the same way that poetry or music or painting is invention.
The dialogue of architecture has been centered too long around the idea of truth.
The rules of navigation never navigated a ship. The rules of architecture never built a house.
What is being called the UN 'gender architecture' is more like a shack. Women need a bigger global house if equality is ever to become a reality.
What has happened to architecture since the second world war that the only passers-by who can contemplate it without pain are those equipped with a white stick and a dog?
First, there is the bare beauty of the logs themselves with their long lines and firm curves. Then there is the open charm felt of the structural features which are not hidden under plaster and ornament, but are clearly revealed, a charm felt in Japanese architecture.
Any work of architecture that has with it some discussion, some polemic, I think is good. It shows that people are interested, people are involved.
There will never be great architects or great architecture without great patrons.
The architecture of our future is not only unfinished the scaffolding has hardly gone up.
If you hear a voice within you say 'you cannot paint,' then by all means paint, and that voice will be silenced.
The highest art is always the most religious, and the greatest artist is always a devout person.