People talk about mumblecore but I prefer bumblecore, hyper-realistic bee movies about how bees really are.
I have a great job writing for 'The Office,' but, really, all television writers do is dream of one day writing movies. I'll put it this way: At the Oscars the most famous person in the room is, like, Angelina Jolie. At the Emmys the huge exciting celebrity is Bethenny Frankel. You get what I mean.
Woody Allen is really the ultimate. I love that he believed in himself enough to do what he did. And I have that same feeling - that there's nobody that looks like me in movies, nobody would cast me as a romantic lead, but I want to do it and I feel confident that I can.
I think these movies are as much for people of that time as for people who weren't born. For people who weren't born, they see how leaders must act under a crisis situation, not trying to be re-elected or not trying to check polls, that they go from their gut check.
It's simple: You get a part. You play a part. You play it well. You do your work and you go home. And what is wonderful about movies is that once they're done, they belong to the people. Once you make it, it's what they see. That's where my head is at.
I tend to think of action movies as exuberant morality plays in which good triumphs over evil.
I made some truly awful movies. 'Stop! Or My Mom Will Shoot' was the worst. If you ever want someone to confess to murder just make him or her sit through that film. They will confess to anything after 15 minutes.
Now, if you are like me - if you are like practically anybody in America - then you probably hold some negative opinions about the French, based upon movies, rumors, recent headlines, unfortunate run-ins with Parisian waiters, or... you know... all that unpleasantness surrounding the Vichy regime.
Movies were never an art form, they were entertainment. It just evolved into an art form from there, and it's still evolving in different ways.
I love horror, I love scary movies, I love thrillers. If things creep you out and spook you? I love it.
Although charismatic, James Dean is no Harrison Ford. In the majority of his movies, sooner or later he got the crap beaten out of him.
I think we're very complicated and we're capable of all kinds of things, and movies don't reflect that.
I think it's more interesting to see people who don't feel appropriately. I relate to that, because sometimes I don't feel anything at all for things I'm supposed to, and other times I feel too much. It's not always like it is in the movies.
A lot of action movies today seem to have scenes that just lead up to the action.
How many movies do you see when you can say this director really knew what film he wanted to make? I can count them on the fingers of one hand.
I have three kids who like Harry Potter so I was sort of aware of it. You can't really move from it: it's on buses, in stores, it's everywhere. One of my kids has read the books the other two are too small but they like the movies.
The movies I watch and the music I listen to and the books I read - those are important to me. It's very important to me, and I don't know what I would do without those things.
We can now have action movies with two stars where one might be African American and one might be Asian American. One of them doesn't have to be white, and the other one doesn't have to be the ethnic sidekick. We're way over that. And I think it's happening in society, too.
I just knew that was what I wanted to do. I was going to perform as a singer I was going to perform as a dancer, and I was, you know, going to do movies and be an actress. I was going to do it or die trying. That's what my life was.
I feel I want to grow as an actress and be better. I want to progress as a singer and songwriter, and produce movies and everything. So there'll be no time when I feel I've done it all.
No, but way before that, I've been doing little dances in movies for years. Yeah, that was an amazing chance. You know, at my age to be able to do a music dance video, very unusual.
I've made movies that we're very successful that we're a complete surprise, and I've made movies that I thought we're going to be very successful that, you know.
I think that if I had grown up and had been in show business and the movies twenty five, thirty years earlier, I think I would have made a lot more musical movies.
I've made three musical movies which is pretty good considering that not many are made but I was lucky in other ways. I came along when independent movies were starting to boom.
When videotape came so a lot of movies that I do have a kind of afterlife in video. Things where movies that I do would come and go they still come and go but you can go rent them and see them on TV.
I think if you do something effectively whether you're the lover or the comic or the action guy or the villain like I play movies are very expensive to make. Chances are you'll get asked to play that part again.
I make movies that nobody will see. I've made movies that even I have never seen.
I used to be prettier than I am, but I think I look better now. I was a pretty boy. Particularly in my early movies. I don't like looking at them so much. There's a sort of pretty thing about me.
I've made movies that I thought were good. I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, I wish more people saw that - because you're good. And it just works out that the movie gets lost. But that's show business.
I don't know why I don't watch a lot of movies I can barely keep up with the things my friends are in. There isn't enough time in life.
It was like in Samoa when they'd put up a movie screen on the beach and show movies and the locals would run behind the sheet to see where the people went. It was pretty grim.
And being as I'm somebody who loves movies like The Machinist, I also love going along to big mass entertainment movies. I get in the mood for all kinds of movies, and so I like to try each of them.
In terms of the romantic kind of lead, I just never enjoy those movies very much. Maybe they'll come to interest me more as I get older. I doubt it, but maybe. Romantic comedies tend to be, for me, an oxymoron.
There are movies that require fantasy and slightly more fantastical acting. Lines that are good for certain movies, in real life circumstances, would be absolutely unbelievable things to really say, and you would look at these people like they're freaks for conversing that way. But somehow for certain styles of movies, it works, and it seems fine.
I like the idea of movies having a magic element. How many times have you seen an actor in a movie who you know only as the character? It's wonderful, isn't it?
I don't get it when you get so much openness about the way movies are made, and the special effects and the behind-the-scenes stuff and all of that. I can't help but feel like this reduces it a little bit.
I always leave that for other people to decide, because some of the things I consider to be disasters are some people's favorite movies. And that's what I like so much, is that you never know. Something intrigues somebody and means nothing to somebody else.
I'm so grateful for what Disney gave me and the experiences that I got, but at the end of the day, I can do so much more than what I did on that channel and in those movies.
I can't watch scary movies right now, because living on my own, it kind of freaks me out.
Where I live, nobody who's fourteen is having sex and doing major drugs. And I think if you see it in the movies, you may be influenced by it. I think it's so important to preserve your innocence.
There are movies where we are interested in seeing people's lives without agreeing with what they're doing.
I tend to make low-budget movies but, yeah, I make more money than I ever thought I would make.
The best movies have one sentence that they're exploring, a thesis, something that people can argue about over dinner afterward.
Being the son of a filmmaker, you are aware of a career as a director. You don't think of it as just movies, but as a life.